which of the following does not describe melodic imitation?

Polyphony is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice, monophony, or a texture with one dominant melodic voice accompanied by chords, homophony.. [2] the dominant chord is a rest chord. 4 Briefly describe how the composer brings out the meaning of the words in Sections 1 - 3, and Section 4. . When a question asks 'Unity and variety' in the musical excerpt, you should describe all the musical concepts, i.e., pitch, rhythm, dynamics & expressive techniques, tone colour, View full document. Key terms and concepts. can be found in a lot of sacred choral music from the Renaissance period. PDF 0410 y20 sm 1 Réponses: 2 questionner: 1.Which of the following characteristics is NOT true about folksongs of the lowlands of Luzon? was named after Pope Gregory I, who made this the approved music of the Catholic Church. THE HARMONY DOES NOT MOVE IN SYNCHRONIZATION WITH THE MELODY-all the words in the text are sounded together-all the melodic lines move together in the same rhythm. In this excerpt, there are several shifts Which of the ... the five staves have been chosen for convenience, to bring out certain polyphonic relationships . • The freer approach to the treatment of melodic intervals and dissonances (both melodic and harmonic) also contributed to these changing perceptions. Key terms and concepts. The most common type of chord in Western music is the ____. In its mathematical intricacy, formality, symmetry, and variety, the fugue holds the interest of composers, performers, and listeners of . In a classic rondo form, composers generally try to achieve some contrast between sections and use different keys. This melody has similar sounding patterns, but the intervals are not the same. This is an example of a new style of opera called opera buffa that emerged during the Classical period. What we discover when we look closely at the characteristics of this period of musical history is that flows as a natural progression from the one that came before. 2 Question Answer Marks 4 Briefly describe how the composer brings out the meaning of the . C. the basis for development in a musical piece. Describe two of the main differences. When one note moves to another, it can either move up or down, and . 16.1 Introduction. A secular music composition which is written and expressed in poetic text. dominant (1) The fifth degree of the diatonic scale. Which of the following does not describe a musical motive: A. a short musical idea. Which of the following does Study Section3 flashcards from Yasamin Haghayegh's class online, or in Brainscape's iPhone or Android app. which of the following statements accurately describes the rhythm and melody heard in the renaissance music. 4: From Diego Ortiz' 1553 treatise on playing the viol and improvising: an example of what one should be able to improvise against a repeating bass pattern. A succession of single tones or pitches perceived as a unit is called: a. an interval b. a melody c. a harmony d. a chord. GEP is used in this study to describe the process of learning, within a group, through playing back from recordings, but it does not exclude the imitation of a model - seen and heard; or heard only (Priest, Reference PRIEST 1989) as in the case of imitating peers' practice, technique or interpretation. Julie Cumming and Peter Schubert. motet; mass. How is it different? Stories were based on \"real people,\" and the music was light and humorous. music appreciation final. -single voiced (sung or instrumental. Sung by male voices [1] not female. It creates a polyphonic texture. Music Appreciation Pt. He entered the priesthood and was ordained in 1703. ___________ was the sixteenth-century polychoral style performed at St. Mark's (Venice). texture. o If you describe Structure concepts for a question asking Expressive Techniques, your answer will receive lower marks. In the early days of the church, the only music allowed during the service was: Vocal Music. answer. polyphony (pəlĭf`ənē), music whose texture is formed by the interweaving of several melodic lines.The lines are independent but sound together harmonically. Nowadays, there is an increase in life expectancy, which is highly positive for the human being, although it brings with it a decline in our cognitive functions (Christie et al., 2017).It is estimated that by 2050 there will be 114 million people with dementia, this condition being one of the major causes of disability and dependence in the older adult population (World Health . 43 Describe Mendelssohn's scoring (use of instruments) in the first 16 bars. the size of the orchestras decreased, making for more compact ensembles. f. The Italian term that describes very fast tempo is: presto. We've discussed many ways of teaching in . Related to melody: contour: the shape of the melody as rising or falling. Ornamentation: Ornamentation is the decoration or embellishment of the melodic line. a. Which of the following describe homorhythm and which do not? melodic pattern, higher or lower, is called a sequence. Vivaldi is well known for giving the strings a major role in his compositions. The word counterpoint is frequently used interchangeably with polyphony.This is not properly correct, since polyphony refers generally to music consisting of two or more distinct melodic lines while counterpoint refers to the compositional . Explain how both textures display an equality of voices. Which of the following does NOT describe the style of ragtime? See Page 1. [2] It is in a different key [1]. t. The following piece is an example of triple meter. Tempo is an Italian universal musical term that refers to the speed at which a music composition is played. A melody would often be sung in one voice - eg soprano - and then copied by another . The two most important French composers of organum and discant during the Medieval period were: Léonin and Pérotin. CHAPTER 1: The Elements of Music 6 Imitative texture: Imitation is a special type of polyphonic texture produced whenever a musical idea is ECHOED from "voice" to "voice". 1 out a- It was the "Golden Age" of a cappella music. 44 Which two of the following devices are used in bars 17-23? [2] Imitation [1], tonic pedal [1] In music, imitation is the repetition of a melody in a polyphonic texture shortly after its first appearance in a different voice.The melody may vary through transposition, inversion, or otherwise, but retain its original character.The intervals and rhythms of an imitation may be exact or modified; imitation occurs at varying distances relative to the first occurrence, and phrases may begin . Chapter 13: Musical Multiculturalism and Diversity. a. Cori spezzati. Imitation. Describe the beginning of the performance in the recording . On some instruments, for instance piano or harp, it means playing all the notes in between, by sliding the fingers quickly over the keys or strings. This paper. voices are in essentially the same rhythm, so they are rhythmic equals. The excerpt builds to the full ensemble at the end of the phrase. Which of the following does NOT describe orchestra of the 19th century. Define chromaticism. The voices first sing in pairs, then all four voices sing together. Make sure that you know what all the melodic terms mean. -one line of music. Read Paper. Incorrect Answer (s) It creates a homophonic texture. The interest in ancient texts, such as Cicero and Quintilian, was a characteristic of classical humanism. Although imitation can be used in monophonic styles, it is more prevalent in polyphonic art-music— Starts fast, slows down, then picks up again. He entered the priesthood and was ordained in 1703. which of the following does NOT describes a major-minor harmonic system? This process became an important aspect of many Afro . Music theorists examine a melody's contour by looking at the motion between individual notes. In homophony, all the. Glossary of Musical Terms 132 C cadence: a melodic or harmonic punctuation mark at the end of a phrase, major section or entire work cadenza: an unaccompanied section of virtuosic display played by a soloist in a concerto call and response: a traditional African process in which a leader's phrase ("call") is repeatedly answered by a chorus. Vivaldi is well known for giving the strings a major role in his compositions.

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